Hasan Celebi is by far the most distinguished representative of the art of Islamic Calligraphy in modern times. A student of the last representative of Ottoman school of calligraphy, Hamid Aytac, he is our current link to the tradition of Arabic calligraphy.
Practicing calligraphy in the UK has required a lot of adaptation for many reasons; firstly, it is quite difficult to reflect the traditional ways where a student would go out in search for a teacher and stay in his /her Suhbat (companionship) for a number of years devoting himself/herself to that field. Similarly, the essence of a calligrapher is their materials..
When you look at a writing of thuluth script, you will notice invisible lines going in a certain angle that have measurements, like 5 dots or 10 dots. Zakariya hoca said, “these relationships of dimensions are only the beginning of writing.” Therefore, when you are first learning how to write in Arabic calligraphy, you are learning the measurements of letters.
I have been doing graffiti since my teens, so as I came across Islamic art and Islamic Calligraphy it really captivated me. I looked at how the master calligraphers played with the structure of the letters, stretching, and bending the forms. I automatically saw the correlation with what I was, or should I say, what we were, doing as graffiti artist with the latin script
Last fall, I had the privilege to sit with Zakariya hoca to talk about calligraphy and his experiences. But he shared with me more than just calligraphy. We talked about languages, poetry, past and current masters of this art, literature and of course calligraphy! For the next few months I will be sharing with you snippets of our conversation.
Benjamin Franklin once said, “energy and persistence conquers all things.” If there is a calligrapher that embodies those words, Shahryanshah Sirajuddin is one. We begin a new year of artist profiles with someone whose determination and love of calligraphy brought him to Turkey, all the way from Indonesia. His sincere journey to learn the art of calligraphy is an inspiration for us living in the west where classes and teachers are not so readily available. His story teaches us that with persistence and energy any creative skill, not matter how overwhelming, can be learned.
I think the inspiration to follow this path has been fueled by a desire to be fulfilled creatively and spiritually. The practice of Islamic art combines these elements so completely, and in such beautiful ways, I’m sure I’ll always be learning more and creating more. The learning never stops, and the possibilities are infinite.